Learning to See Creatively: Design, Color & Composition in Photography (Updated Edition) Reviews
February 11, 2012 by admin
Filed under Photography Products
Learning to See Creatively: Design, Color & Composition in Photography (Updated Edition)
Almost everyone can “see” in the conventional sense, but developing photographic vision takes practice. Learning to See Creatively helps photographers visualize their work, and the world, in a whole new light.
Now totally rewritten, revised, and expanded, this best-selling guide takes a radical approach to creativity. It explains how it is not some gift only for the “chosen few” but actually a skill that can be learned and applied. Using inventive photos from his own stunning por
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Not the Best,
Learning to be a photographer is about more than focusing and exposure. One of the most important and difficult things is learning what to take a picture of, and then designing an image that expresses something about its subject. Many authors of photography books talk about teaching the photographer to see. I think of that as being the process of selecting a subject and then deciding how it should look to capture the photographer’s vision of it. Bryan Patterson promises to teach that in the revised edition of “Learning to See Creatively”. Unfortunately, he doesn’t keep his promise.
It’s not that this is a poor book. The author talks about the elements of photographic design like line, shape, form, texture, pattern and color. Unfortunately he doesn’t link these elements to the photographer’s vision. It’s as if one knew nothing about tools, had a plumbing problem, and was presented with a wrench. It would be nice to be told how to use the wrench to solve the problem. If you know how to relate the tools to the problem, you don’t need this book.
He also talks about composition and guidelines like the rule of thirds, or frame within a frame. But even here, he doesn’t make the connection to vision. Even the chapter called “Expanding Your Vision” turns out to be a discussion of the characteristics of lenses of different focal lengths.
There are chapters on digital photography and photographic careers but they look like they were added on to the work because somebody thought that was what would help the book sell.
Peterson’s photographs are good. When he explains why he made the design and composition choices for a particular picture you can see some relationship of technique to vision. It’s also interesting to occasionally see a comparison of the same subject handled two different ways. But unfortunately the author doesn’t take the opportunity to relate similar pictures to photographic vision.
This might be a good enough book for the intermediate photographer who isn’t really ready to work on his or her vision, although I much prefer Brenda Tharp’s “Creative Nature & Outdoor Photography” which covers the same ground in a more concise way.
One might think that you can’t teach someone to see creatively. That may be true, but Freeman Patterson’s old standby, “Photography & the art of seeing” comes a lot closer than this volume. And books like those by Galen Rowell or Tony Sweet do a much better job of relating technique to the visions of their authors.
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|Go with “Understanding Exposure,” and pass this one by,
I’ve read all three of Bryan Peterson’s books — “Understanding Exposure,” “Learning to See Creatively,” and “Photographing People — and “Understanding Exposure” I recommend highly (5 stars). The other two drained me of my passion as I read them, which is the opposite of what Peterson intended, I’m sure. Here’s why: Bryan Peterson’s images look like what they are — commercial images sold to stock houses, used to advertise products or services or businesses in one way or another. Little girls in fields of flowers. Sunsets over the beach. Two businesspeople shaking hands. Peterson does what he does well, and I gave this book 2 stars because I’m sure there are readers who are looking to take their interest in photography down this very road. For anyone who wants to develop his or her “voice,” who wants to communicate with his or her images, I think this book will disappoint. I was a student in a writing program for a period of time, and one of the best tips I learned and passed on to other students was this: Before you sign up for a class with a particular professor, read at least one of his novels or several of his short stories. If you like the way he writes, sign up for the class. If you can’t stand his writing, find someone else. I think the same applies here. I recognize that Peterson knows how to use a camera — and his effective instruction of exposure in his other book proves that — but his images make no impression on me, don’t cause me to think or feel or question anything. I recommend finding the books in a bookstore or trying to look through them online before you buy — his Web site, http://www.bryanfpeterson.com, shows some examples. If you want to take pictures like these, this book will meet your needs. Otherwise, pass it by.
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|Worth every penny…Bryan you did it again,
After reading Bryan’s book Exposure, I couldn’t wait to read this one and he didn’t disappoint. This is an excellent book for beginners (and a refresher for more advanced).
I really like the presentation of the “average” picture along side his view of how the picture should have been shot. His clear text with specific insights was excellent. The exercises were useful in conveying his points.
For the beginner, I would purchase Exposure along with this book. For the intermediate, I believe it is still worth the price. Of all the photographic books I have read (most written for a more seasoned photographer), his simple approach was refreshing and helpful. I believe that my recent work has improved due to his suggestions. Thanks Bryan…keep writing!
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